Licence before taste
Every built-in file names its artist, source page, edit point, checksum and CC BY 4.0 licence at /music/LICENSES.txt. An upload records who confirmed the rights and when; we do not verify who owns the master.
Music
A score that follows the cut
25 licensed tracks, your own uploads, or a score generated for the film's own duration, with the licence recorded either way.
Live: the 25-track library, private uploads, the automatic default and a generated ACE-Step score (Apache-2.0 code and weights, engine, licence, prompt and checksum written into the film's credits). Fidelity exports mix the chosen track with ducking and -16 LUFS mastering, the CC BY card, metadata and a sidecar.
Music is where listing videos usually become unusable: a commercial track the agency cannot license, looped under a cut that changes length. The Studio holds 25 real tracks by Scott Buckley under CC BY 4.0, each a 60-second edit with its source and checksum on record. You can audition them, upload a recording you own, let a new project inherit the track paired with its brand direction, or ask for a score written for that film's duration. The worker's export job mixes, ducks, masters and credits whichever of the three you chose, and the Fidelity renderer turns the listing's photographs into the picture it sits under.
How it is meant to work
Automatic, not arbitrary
Each of the six brand directions has a paired default, stored on the project when it is created. A project can opt out to silence instead. No engine analyses footage and guesses a mood.
Scored for this cut, not looped
Generated music runs on the score engine on our own worker host (ACE-Step, Apache-2.0 code and weights) for the film's own duration, so nothing has to be looped or re-timed. The engine, licence, prompt and output checksum are written into the film's credits; no stock cue is ever passed off as a result.
Silence is a valid choice
A walkthrough on a quiet street is often better without a bed. Opting out is one stored value, and the renderer will not force a track in later.
Specification
- Library
- 25 Scott Buckley tracks, CC BY 4.0, 60-second edits; full record served with the files
- Uploads
- MP3, M4A, WAV or OGG up to 25 MB; private to the workspace; rights attestation stored
- Default
- One track per brand direction, recorded on the project; explicit silence supported
- Generated score
- ACE-Step on the worker host, written for the film's duration; engine, licence, prompt and checksum recorded beside the asset and repeated in the credits
- Mix
- Called by the export job: sidechain ducking, -16 LUFS mastering, CC BY metadata, a sidecar and a visible closing card
Questions
Can I upload my own track?
Yes, in the Studio. The file is checked as decodable audio, stored privately under your workspace and never served to another organisation. You confirm that you hold the rights; VividProp does not verify who owns the master or clear it for you.
Is a track used in a video today?
Yes. The Fidelity renderer turns a listing's photographs into the film, and the export mixes the chosen library track, your upload or the generated score, masters it and writes the credit into the MP4, a sidecar and a visible closing card. A licence is recorded either way: CC BY for the library, your attestation for an upload, and the engine, licence, prompt and checksum for a generated score.
Next
Start with what exists
The workspace, the roles, the credit ledger and the invitation flow are live. Create the account now and be first in line when this milestone opens — no card is collected.