Every entry below is a real job — make the listing video, animate a scene, cut a reel, publish it. They are not eleven products. Each one names the capabilities that serve it, inherits the weakest status among them, and states what it will refuse to do.
Fidelity films render from your photographs tonight; paid per-scene generation is not available, and auto-publishing is not connected.The paid creative tools that extend these formats are catalogued separately, with their access and availability. Creative tools
01
A listing video maker built around one property
What you need
You have a live listing, a folder of photographs and a portal that wants a video by Friday.
What we will do
One workspace: property facts, ordered photos, an editable scene plan and a cost line, then a film in the ratio you choose.
The maker is deliberately narrow. It takes your photographs as the source of truth and animates only what they contain — a push, a pan, a held frame. A tool that re-imagines a room is not a listing video maker; it is a renderer with a liability attached.
Today: Live: property facts, signed photo uploads, an editable scene plan and branded per-ratio exports with review links. All available scene motion is rendered locally from the original photos; paid generative video clips are not available.
Never: It will not accept a floor plan and invent a walkthrough, and it will not add a room that was not photographed. A review link is a bearer URL: anyone holding it can watch, so send it deliberately.
Some listings deserve movement that a still cannot carry — a slow drift across a terrace, light shifting in a room.
What we will do
The available camera moves are deterministic local effects rendered from the original photos. Paid generative video clips are not available.
Fidelity keeps the supplied photograph as the source of truth. The local renderer adds a camera move without generating or changing scene content; a rejected move can be changed in the plan and exported again.
Today: Live: deterministic local camera moves render in every export without a provider. Paid generative video clips are not available.
Never: It will not generate people, pets or new furniture by default, and it will not call a filmed room an inspection.
The same property has to appear as a 16:9 master, a 9:16 reel, a square post and a 4:5 story.
What we will do
Each ratio is composed from the same scene plan rather than cropped from a master, so doorways and faces stay in frame.
Re-composing per ratio is more work than cropping and it is the difference between a reel that reads and one where the agent's phone number is cut in half. Caption cues are stored as data, so the same cut can carry French, Thai or Arabic text without a re-render of the pixels.
Today: Live: 16:9, 9:16, 1:1 and 4:5 are composed from the same scene plan and download as MP4 with caption sidecars. All available motion is local; paid generative video clips are not available.
Never: No format is advertised as done until it downloads at the right dimensions; all four do, from one plan.
You already paid a photographer. You do not want another shoot; you want the stills to move.
What we will do
Fidelity mode animates your photographs deterministically — push, pan or held frame at the exact dimensions of the ratio you choose — never invented pixels.
Every scene is a photograph plus a move plus a duration. That means a client review is a review of a plan, not of a model's mood, and a failed job can be retried without re-shooting the property.
Today: Live: uploads, scene plan and deterministic render export real films. All available scene motion is local; paid generative video clips are not available.
Never: It will not claim a still was a video take, and it will not label a motion graphic as footage.
Different agents, one brand: the address, the price, the licence line and the logo must be right on every video.
What we will do
A brand kit per workspace, a closing card written at the film's own dimensions, and a separate clip for every ratio you choose.
A finished export is written once under its own render id and never rewritten, so editing a kit later cannot change a film a client already approved; the next render picks up the current kit. The kit itself is resolved at render time, not frozen into the project.
Today: Live: several kits per workspace with a default, and Fidelity exports append the kit's closing card with palette, CTA and contact block.
Never: No awards, ratings or review counts can be entered as text and rendered as if verified.
A listing video has to earn its keep: a hook, captions a player can display, a call to action and a version per channel.
What we will do
Per-channel compositions from one plan, captions delivered as a timed .srt sidecar, and a CTA that survives every crop.
Publishing is specified, not built: the provider scopes, the token storage and the queue are written down before any button is designed. Until that exists, the marketing output is a file you post yourself.
Today: Live as files: per-channel cuts, timed caption sidecars and review links download from the product. Captions ship as an .srt beside the film, not burned into the pixels. Nothing auto-publishes — no connector, no schedule, no OAuth app — so posting stays manual.
Never: No invented reach, no "posted automatically" badge, no scheduled post that will not fire.
You want the video assembled quickly without a model redesigning the property or inventing a feature.
What we will do
AI proposes order, pacing and captions; the images, the price and the contact block stay yours.
The director is the part worth automating: which photograph opens, how long a corner bedroom holds, where the caption sits. The parts worth refusing to automate are the facts — a model that writes the price is a model that can write the wrong one.
Today: Live as a rule-based proposal inside the project setup: order, pacing and caption cues are suggested per photograph and every choice stays editable before anything renders. The export applies deterministic local camera moves; paid generative video clips are not available.
Never: The AI will not author legal or property facts, and it will not generate a review, a rating or a counter.
Buyers want to feel the sequence of a home before they visit it.
What we will do
A linear, directed sequence through your photographs with consistent motion and honest pacing.
This is the one place where the category lies most often. A video that moves between photographs is a tour in the sense that a brochure is a visit: useful, honest when labelled, and not a dimensionally accurate model. VividProp says "directed video" and never "3D tour".
Today: Live as a directed walkthrough: the scene planner orders your photographs and the export animates them deterministically. There is no navigable 3D model, measured geometry or available paid generative video tier.
Never: It will never be called a 3D tour, claim measured geometry or offer a navigable model from a linear video.
The first cut is never the one published, and a full re-render for a trimmed scene is a waste.
What we will do
Quick edits re-cut the plan and a re-export rebuilds the film from the photographs with no model run; replacing a scene shows its own cost line before it queues.
Because a scene is a photograph plus a move, editing stays structural: hold a frame, drop a scene, swap the order, change the move. That is also why the editor will not accept arbitrary MP4s — it edits plans it can re-execute, not footage it cannot read.
Today: Live for Fidelity: trim, reorder, drop a scene or change its move on the plan, then re-export — no model run. The editor edits plans it can re-execute, not arbitrary footage.
Never: It is not a replacement for an NLE, it will not accept footage it cannot re-render, and replacing a scene is a rebuild from photos — no per-scene regeneration.
Agencies often buy a retainer: an editor, a turnaround, an invoice per listing.
What we will do
VividProp is self-serve software with credits shown before a job runs. No account manager, no per-listing quote, no surprise reel.
That is a positioning decision, not a missing feature. A services model hides the cost inside a conversation; a metered product puts the number on the screen. If you need a human editor for a specific shoot, the honest answer today is that VividProp is not that vendor yet.
Today: Accounts, teams, the credit ledger and Fidelity downloads with review links are live. Plans are not charged yet, and no service retainer is offered.
Never: We will not advertise a done-for-you retainer we cannot staff.
Your listings already live on a portal; retyping the address and re-uploading twenty photos is waste.
What we will do
Import the listing's own data, keep the source URL on the project, and ask before reusing an image you may not hold rights to.
Importing a listing is a rights question as well as an engineering one: only images the agent selects are downloaded into workspace storage, the source URL stays on the property and the project, and a manual fallback always works when a portal changes its markup.
Today: Live as a preview-first import: the server reads OpenGraph and JSON-LD facts with a capped fetch, the agent confirms, and the property is created with the source URL kept — zero credit before confirmation.
Never: We will not silently re-host photographs whose licence we cannot establish; the agent confirms every photo.
These are capabilities inside the same workspace, not separate free generators. Each one carries its real availability and its paid access, and the ones that cannot run yet say so instead of offering a button.
The category sells all eleven of these as shipped. The honest version costs us conversions and it is the only version worth building: a status page that stays true after launch is the differentiator.
Statuses are computed from a single capability registry shared with the product, not typed into this page. A tool inherits the weakest status behind it, so nothing here can read as finished while its pipeline is not.